Graciliano Ramos and the Making of Modern Brazil brings updated criticism in English on the work of the prominent Brazilian writer Graciliano Ramos (1892–1953), a key figure in understanding the making of modern Brazil. Building on existing literature, this book innovates through chapters that consider issues such as Ramos’s dialogue with literary tradition, his cultural legacy for contemporary writers, and his treatment of racial discrimination and gender inequality through the multifarious, provocative and enduringly fascinating characters he created. The volume also addresses the question of Ramos’s political involvement during the years of the Getulio Vargas government (1930–45), to revisit established readings of the author’s politics. Through close reading of individual works as well as comparative analyses, this volume takes readers into the complexities of modernisation in Brazil, and highlights the writer’s significance for our understanding of Brazil today.
This volume of rare and selected literary works contains poetry from Marcelo Ramos Motta's Poesias, first published in Brasil in 1951 e.v. It is here translated from Portuguese into English for the first time. The volume also contains two screenplays and a novelet written under the pen name Mark Hellington. Both screenplays were produced by the Canadian Broadcasting Corporation in the late 1950s e.v, and his sci-fi novelet, The Silver Cube, first appeared in Future Science Fiction in 1958 e.v. These literary works present a further insight into the works of the Thelemic Initiate and visionary Marcelo Ramos Motta, and they shed a light into the creative endeavors of his earlier years. Contents Poesias I - Enchanted Land II - In the Night III - The Slaves IV - The Free V - Last Ones The Works of Mark Hellington The Dictator (To Ride a Tiger) Children of the Sun The Silver Cube
collection of inspirational poetries from the prisms of my heart in the paradise of my mind. Colourful escapades into cobbled stone memories of Florence, gondola of my dreams in Venice, sunsets in Greece, Dancing Pink Flamingos, moonlit nights traveling on gossamer wings on Jupiter Skies. A peek into still life brushed recollections painted on a canvass of a lovely escapade, reflections of love in a warm cup of herbal romance. An appointment with destiny encrypted in the pages of love's calendar.
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"When Juan José Ramos and his family return home to Ramos (in South Texas) after picking cotton in West Texas, they find their daughter Chita leading a school boycott. At first Juan José argues that the children are wrong: because the students are protesting, the Anglos are denying work to their parents. But at a meeting of the school board and parents, Juan José suddenly stands up to tell the community things he never dared say before..."--P.  of cover.
Like his fellow Pop painters Andy Warhol and Roy Lichtenstein, Mel Ramos (born 1935) derives the motifs for his work from mass media and advertising. In bold and immediately recognizable canvases, he unites consumer goods with idealized pin-up girls modeled after magazine images dating from the 1950s and 1960s. Ramos immortalizes these models' lascivious poses by entwining them with the featured products in what he calls "commercial pin-ups." This monograph illustrates and discusses many of these works, but also provides insight into the artist's multifaceted oeuvre by presenting more than 100 works, from his first portraits of people, comic heroes and heroines, and his prominent pin-up girls, to his latest works from the Galatea series. Celebrating the artist's 75th birthday, this catalogue accompanies a major European retrospective, the first to unite Ramos' drawings, paintings and sculptures.